Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); "the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake"
男人做錯的事都讓女人承擔因為自己懦弱就討厭女人剛強“work, family, fatherland. We have no rights, just duties.France had become one gigantic chicken coop.”長椅上兩個男人談論著死刑的不公下一個鏡頭就是母親和孩子快樂的郊遊多諷刺啊這個電影名字譯得不好